Cache A photography project by Dana Stirling

โ€œMy family roots back to England, but I was born in Israel. I was a child on a fence; a daughter to a migrating family. The house within culturally stayed European but outside was the Israeli controversial culture. I always felt a misfit with my partial incomplete identity; torn apart between parents who have never blended in to the Middle Eastern culture I felt only half belonged too. Over the years I have heard of my parentโ€™s memories and stories. I remember hearing of snow, youth and happiness. Stories of happier days. The stories held on to the memories of time and culture that I wasnโ€™t a part of, and portraits of family members that always remained anonymous to me and their faces where no more distinct than any other person in generic photo album.

These stories were supposed to be my heritage. As I grew up Iโ€™ve started to question photographyโ€™s function as my memory, as my family heritage. My photographic practice chains together straight and still life photography, found footage from my family history and imagery from family albums. Using photography Iโ€™ve conducted an examination of my history. Due to the migration of my family from England to Israel that history discontinued, and therefore I find it hard do consider it as mine. In order to regain my history Iโ€™ve appropriated images, along with ones that I have made myself. Iโ€™m researching a history that I donโ€™t see as actually mine; Family memories that I am not part of. The images become objects that I use in order to create a new history and memory of my own; people and places as I would like to remember and understand them.

I started not only looking for my identity in the old photos but also reflect my feelings from these photos on to the world around me. I look for Moments and objects were there is a tension that is created by their incomplete aesthetic. Photography allows me to look at the little and unimportant objects around me and make them a part of my history just by giving them attention. With my camera I grant them with eternity and in that I grant myself a memory.โ€ โ€“ Dana Stirling

Open for entries

potrait color photo of woman by Olga Urbanek
ยฉ Olga Urbanek
2024 Portrait AWARD

Win $2000 Cash Awards & International Exposure

Do you have a keen eye for capturing the essence of your subjects? โ€“ In May weโ€™re seeking images that showcase the power of portraiture across all styles!
  • Win $2000 in Cash
  • International Exhibition
  • Shared on +756K IG network
  • Free Portfolio Account
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Deadline: 31 May 2024

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Dana Stirling - Cache | The Independent Photographer

Cache A photography project by Dana Stirling

“My family roots back to England, but I was born in Israel. I was a child on a fence; a daughter to a migrating family. The house within culturally stayed European but outside was the Israeli controversial culture. I always felt a misfit with my partial incomplete identity; torn apart between parents who have never blended in to the Middle Eastern culture I felt only half belonged too. Over the years I have heard of my parentโ€™s memories and stories. I remember hearing of snow, youth and happiness. Stories of happier days. The stories held on to the memories of time and culture that I wasnโ€™t a part of, and portraits of family members that always remained anonymous to me and their faces where no more distinct than any other person in generic photo album.

These stories were supposed to be my heritage. As I grew up Iโ€™ve started to question photographyโ€™s function as my memory, as my family heritage. My photographic practice chains together straight and still life photography, found footage from my family history and imagery from family albums. Using photography I’ve conducted an examination of my history. Due to the migration of my family from England to Israel that history discontinued, and therefore I find it hard do consider it as mine. In order to regain my history Iโ€™ve appropriated images, along with ones that I have made myself. Iโ€™m researching a history that I donโ€™t see as actually mine; Family memories that I am not part of. The images become objects that I use in order to create a new history and memory of my own; people and places as I would like to remember and understand them.

I started not only looking for my identity in the old photos but also reflect my feelings from these photos on to the world around me. I look for Moments and objects were there is a tension that is created by their incomplete aesthetic. Photography allows me to look at the little and unimportant objects around me and make them a part of my history just by giving them attention. With my camera I grant them with eternity and in that I grant myself a memory.” – Dana Stirling

Open for entries

potrait color photo of woman by Olga Urbanek
© Olga Urbanek
2024 Portrait AWARD

Win $2000 Cash Awards & International Exposure

Do you have a keen eye for capturing the essence of your subjects? – In May we’re seeking images that showcase the power of portraiture across all styles!
  • Win $2000 in Cash
  • International Exhibition
  • Shared on +756K IG network
  • Free Portfolio Account
Submit Photos
Deadline: 31 May 2024

Recent Articles

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Dana Stirling - Cache | The Independent Photographer

Cache A photography project by Dana Stirling

โ€œMy family roots back to England, but I was born in Israel. I was a child on a fence; a daughter to a migrating family. The house within culturally stayed European but outside was the Israeli controversial culture. I always felt a misfit with my partial incomplete identity; torn apart between parents who have never blended in to the Middle Eastern culture I felt only half belonged too. Over the years I have heard of my parentโ€™s memories and stories. I remember hearing of snow, youth and happiness. Stories of happier days. The stories held on to the memories of time and culture that I wasnโ€™t a part of, and portraits of family members that always remained anonymous to me and their faces where no more distinct than any other person in generic photo album.

These stories were supposed to be my heritage. As I grew up Iโ€™ve started to question photographyโ€™s function as my memory, as my family heritage. My photographic practice chains together straight and still life photography, found footage from my family history and imagery from family albums. Using photography Iโ€™ve conducted an examination of my history. Due to the migration of my family from England to Israel that history discontinued, and therefore I find it hard do consider it as mine. In order to regain my history Iโ€™ve appropriated images, along with ones that I have made myself. Iโ€™m researching a history that I donโ€™t see as actually mine; Family memories that I am not part of. The images become objects that I use in order to create a new history and memory of my own; people and places as I would like to remember and understand them.

I started not only looking for my identity in the old photos but also reflect my feelings from these photos on to the world around me. I look for Moments and objects were there is a tension that is created by their incomplete aesthetic. Photography allows me to look at the little and unimportant objects around me and make them a part of my history just by giving them attention. With my camera I grant them with eternity and in that I grant myself a memory.โ€ โ€“ Dana Stirling

Open for entries

potrait color photo of woman by Olga Urbanek
ยฉ Olga Urbanek
2024 Portrait AWARD

Win $2000 Cash Awards & International Exposure

Do you have a keen eye for capturing the essence of your subjects? โ€“ In May weโ€™re seeking images that showcase the power of portraiture across all styles!
  • Win $2000 in Cash
  • International Exhibition
  • Shared on +756K IG network
  • Free Portfolio Account
Submit Photos
Deadline: 31 May 2024

Recent Articles

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Dana Stirling - Cache | The Independent Photographer

Cache A photography project by Dana Stirling

“My family roots back to England, but I was born in Israel. I was a child on a fence; a daughter to a migrating family. The house within culturally stayed European but outside was the Israeli controversial culture. I always felt a misfit with my partial incomplete identity; torn apart between parents who have never blended in to the Middle Eastern culture I felt only half belonged too. Over the years I have heard of my parentโ€™s memories and stories. I remember hearing of snow, youth and happiness. Stories of happier days. The stories held on to the memories of time and culture that I wasnโ€™t a part of, and portraits of family members that always remained anonymous to me and their faces where no more distinct than any other person in generic photo album.

These stories were supposed to be my heritage. As I grew up Iโ€™ve started to question photographyโ€™s function as my memory, as my family heritage. My photographic practice chains together straight and still life photography, found footage from my family history and imagery from family albums. Using photography I’ve conducted an examination of my history. Due to the migration of my family from England to Israel that history discontinued, and therefore I find it hard do consider it as mine. In order to regain my history Iโ€™ve appropriated images, along with ones that I have made myself. Iโ€™m researching a history that I donโ€™t see as actually mine; Family memories that I am not part of. The images become objects that I use in order to create a new history and memory of my own; people and places as I would like to remember and understand them.

I started not only looking for my identity in the old photos but also reflect my feelings from these photos on to the world around me. I look for Moments and objects were there is a tension that is created by their incomplete aesthetic. Photography allows me to look at the little and unimportant objects around me and make them a part of my history just by giving them attention. With my camera I grant them with eternity and in that I grant myself a memory.” – Dana Stirling

Open for entries

potrait color photo of woman by Olga Urbanek
© Olga Urbanek
2024 Portrait AWARD

Win $2000 Cash Awards & International Exposure

Do you have a keen eye for capturing the essence of your subjects? – In May we’re seeking images that showcase the power of portraiture across all styles!
  • Win $2000 in Cash
  • International Exhibition
  • Shared on +756K IG network
  • Free Portfolio Account
Submit Photos
Deadline: 31 May 2024

Recent Articles

More Articles

Dana Stirling - Cache | The Independent Photographer

Cache A photography project by Dana Stirling

โ€œMy family roots back to England, but I was born in Israel. I was a child on a fence; a daughter to a migrating family. The house within culturally stayed European but outside was the Israeli controversial culture. I always felt a misfit with my partial incomplete identity; torn apart between parents who have never blended in to the Middle Eastern culture I felt only half belonged too. Over the years I have heard of my parentโ€™s memories and stories. I remember hearing of snow, youth and happiness. Stories of happier days. The stories held on to the memories of time and culture that I wasnโ€™t a part of, and portraits of family members that always remained anonymous to me and their faces where no more distinct than any other person in generic photo album.

These stories were supposed to be my heritage. As I grew up Iโ€™ve started to question photographyโ€™s function as my memory, as my family heritage. My photographic practice chains together straight and still life photography, found footage from my family history and imagery from family albums. Using photography Iโ€™ve conducted an examination of my history. Due to the migration of my family from England to Israel that history discontinued, and therefore I find it hard do consider it as mine. In order to regain my history Iโ€™ve appropriated images, along with ones that I have made myself. Iโ€™m researching a history that I donโ€™t see as actually mine; Family memories that I am not part of. The images become objects that I use in order to create a new history and memory of my own; people and places as I would like to remember and understand them.

I started not only looking for my identity in the old photos but also reflect my feelings from these photos on to the world around me. I look for Moments and objects were there is a tension that is created by their incomplete aesthetic. Photography allows me to look at the little and unimportant objects around me and make them a part of my history just by giving them attention. With my camera I grant them with eternity and in that I grant myself a memory.โ€ โ€“ Dana Stirling

Open for entries

potrait color photo of woman by Olga Urbanek
ยฉ Olga Urbanek
2024 Portrait AWARD

Win $2000 Cash Awards & International Exposure

Do you have a keen eye for capturing the essence of your subjects? โ€“ In May weโ€™re seeking images that showcase the power of portraiture across all styles!
  • Win $2000 in Cash
  • International Exhibition
  • Shared on +756K IG network
  • Free Portfolio Account
Submit Photos
Deadline: 31 May 2024

Recent Articles

More Articles

Dana Stirling - Cache | The Independent Photographer

Cache A photography project by Dana Stirling

“My family roots back to England, but I was born in Israel. I was a child on a fence; a daughter to a migrating family. The house within culturally stayed European but outside was the Israeli controversial culture. I always felt a misfit with my partial incomplete identity; torn apart between parents who have never blended in to the Middle Eastern culture I felt only half belonged too. Over the years I have heard of my parentโ€™s memories and stories. I remember hearing of snow, youth and happiness. Stories of happier days. The stories held on to the memories of time and culture that I wasnโ€™t a part of, and portraits of family members that always remained anonymous to me and their faces where no more distinct than any other person in generic photo album.

These stories were supposed to be my heritage. As I grew up Iโ€™ve started to question photographyโ€™s function as my memory, as my family heritage. My photographic practice chains together straight and still life photography, found footage from my family history and imagery from family albums. Using photography I’ve conducted an examination of my history. Due to the migration of my family from England to Israel that history discontinued, and therefore I find it hard do consider it as mine. In order to regain my history Iโ€™ve appropriated images, along with ones that I have made myself. Iโ€™m researching a history that I donโ€™t see as actually mine; Family memories that I am not part of. The images become objects that I use in order to create a new history and memory of my own; people and places as I would like to remember and understand them.

I started not only looking for my identity in the old photos but also reflect my feelings from these photos on to the world around me. I look for Moments and objects were there is a tension that is created by their incomplete aesthetic. Photography allows me to look at the little and unimportant objects around me and make them a part of my history just by giving them attention. With my camera I grant them with eternity and in that I grant myself a memory.” – Dana Stirling

Open for entries

potrait color photo of woman by Olga Urbanek
© Olga Urbanek
2024 Portrait AWARD

Win $2000 Cash Awards & International Exposure

Do you have a keen eye for capturing the essence of your subjects? – In May we’re seeking images that showcase the power of portraiture across all styles!
  • Win $2000 in Cash
  • International Exhibition
  • Shared on +756K IG network
  • Free Portfolio Account
Submit Photos
Deadline: 31 May 2024

Recent Articles

More Articles

Dana Stirling - Cache | The Independent Photographer

Cache A photography project by Dana Stirling

โ€œMy family roots back to England, but I was born in Israel. I was a child on a fence; a daughter to a migrating family. The house within culturally stayed European but outside was the Israeli controversial culture. I always felt a misfit with my partial incomplete identity; torn apart between parents who have never blended in to the Middle Eastern culture I felt only half belonged too. Over the years I have heard of my parentโ€™s memories and stories. I remember hearing of snow, youth and happiness. Stories of happier days. The stories held on to the memories of time and culture that I wasnโ€™t a part of, and portraits of family members that always remained anonymous to me and their faces where no more distinct than any other person in generic photo album.

These stories were supposed to be my heritage. As I grew up Iโ€™ve started to question photographyโ€™s function as my memory, as my family heritage. My photographic practice chains together straight and still life photography, found footage from my family history and imagery from family albums. Using photography Iโ€™ve conducted an examination of my history. Due to the migration of my family from England to Israel that history discontinued, and therefore I find it hard do consider it as mine. In order to regain my history Iโ€™ve appropriated images, along with ones that I have made myself. Iโ€™m researching a history that I donโ€™t see as actually mine; Family memories that I am not part of. The images become objects that I use in order to create a new history and memory of my own; people and places as I would like to remember and understand them.

I started not only looking for my identity in the old photos but also reflect my feelings from these photos on to the world around me. I look for Moments and objects were there is a tension that is created by their incomplete aesthetic. Photography allows me to look at the little and unimportant objects around me and make them a part of my history just by giving them attention. With my camera I grant them with eternity and in that I grant myself a memory.โ€ โ€“ Dana Stirling

Open for entries

potrait color photo of woman by Olga Urbanek
ยฉ Olga Urbanek
2024 Portrait AWARD

Win $2000 Cash Awards & International Exposure

Do you have a keen eye for capturing the essence of your subjects? โ€“ In May weโ€™re seeking images that showcase the power of portraiture across all styles!
  • Win $2000 in Cash
  • International Exhibition
  • Shared on +756K IG network
  • Free Portfolio Account
Submit Photos
Deadline: 31 May 2024

Recent Articles

More Articles

Dana Stirling - Cache | The Independent Photographer

Cache A photography project by Dana Stirling

“My family roots back to England, but I was born in Israel. I was a child on a fence; a daughter to a migrating family. The house within culturally stayed European but outside was the Israeli controversial culture. I always felt a misfit with my partial incomplete identity; torn apart between parents who have never blended in to the Middle Eastern culture I felt only half belonged too. Over the years I have heard of my parentโ€™s memories and stories. I remember hearing of snow, youth and happiness. Stories of happier days. The stories held on to the memories of time and culture that I wasnโ€™t a part of, and portraits of family members that always remained anonymous to me and their faces where no more distinct than any other person in generic photo album.

These stories were supposed to be my heritage. As I grew up Iโ€™ve started to question photographyโ€™s function as my memory, as my family heritage. My photographic practice chains together straight and still life photography, found footage from my family history and imagery from family albums. Using photography I’ve conducted an examination of my history. Due to the migration of my family from England to Israel that history discontinued, and therefore I find it hard do consider it as mine. In order to regain my history Iโ€™ve appropriated images, along with ones that I have made myself. Iโ€™m researching a history that I donโ€™t see as actually mine; Family memories that I am not part of. The images become objects that I use in order to create a new history and memory of my own; people and places as I would like to remember and understand them.

I started not only looking for my identity in the old photos but also reflect my feelings from these photos on to the world around me. I look for Moments and objects were there is a tension that is created by their incomplete aesthetic. Photography allows me to look at the little and unimportant objects around me and make them a part of my history just by giving them attention. With my camera I grant them with eternity and in that I grant myself a memory.” – Dana Stirling

Open for entries

potrait color photo of woman by Olga Urbanek
© Olga Urbanek
2024 Portrait AWARD

Win $2000 Cash Awards & International Exposure

Do you have a keen eye for capturing the essence of your subjects? – In May we’re seeking images that showcase the power of portraiture across all styles!
  • Win $2000 in Cash
  • International Exhibition
  • Shared on +756K IG network
  • Free Portfolio Account
Submit Photos
Deadline: 31 May 2024

Recent Articles

More Articles

Dana Stirling - Cache | The Independent Photographer

Cache A photography project by Dana Stirling

โ€œMy family roots back to England, but I was born in Israel. I was a child on a fence; a daughter to a migrating family. The house within culturally stayed European but outside was the Israeli controversial culture. I always felt a misfit with my partial incomplete identity; torn apart between parents who have never blended in to the Middle Eastern culture I felt only half belonged too. Over the years I have heard of my parentโ€™s memories and stories. I remember hearing of snow, youth and happiness. Stories of happier days. The stories held on to the memories of time and culture that I wasnโ€™t a part of, and portraits of family members that always remained anonymous to me and their faces where no more distinct than any other person in generic photo album.

These stories were supposed to be my heritage. As I grew up Iโ€™ve started to question photographyโ€™s function as my memory, as my family heritage. My photographic practice chains together straight and still life photography, found footage from my family history and imagery from family albums. Using photography Iโ€™ve conducted an examination of my history. Due to the migration of my family from England to Israel that history discontinued, and therefore I find it hard do consider it as mine. In order to regain my history Iโ€™ve appropriated images, along with ones that I have made myself. Iโ€™m researching a history that I donโ€™t see as actually mine; Family memories that I am not part of. The images become objects that I use in order to create a new history and memory of my own; people and places as I would like to remember and understand them.

I started not only looking for my identity in the old photos but also reflect my feelings from these photos on to the world around me. I look for Moments and objects were there is a tension that is created by their incomplete aesthetic. Photography allows me to look at the little and unimportant objects around me and make them a part of my history just by giving them attention. With my camera I grant them with eternity and in that I grant myself a memory.โ€ โ€“ Dana Stirling

Open for entries

potrait color photo of woman by Olga Urbanek
ยฉ Olga Urbanek
2024 Portrait AWARD

Win $2000 Cash Awards & International Exposure

Do you have a keen eye for capturing the essence of your subjects? โ€“ In May weโ€™re seeking images that showcase the power of portraiture across all styles!
  • Win $2000 in Cash
  • International Exhibition
  • Shared on +756K IG network
  • Free Portfolio Account
Submit Photos
Deadline: 31 May 2024

Recent Articles

More Articles